Showing posts with label ilokano poems in english. Show all posts
Showing posts with label ilokano poems in english. Show all posts

A Poem Insisting to be Written



This is a difficult poem that insists itself
to be written. You think of the manner
of calisthenic attack as you walk in circles,

one at a time, with another reluctant
poet who thinks about his private God
in the syllables of sin. I do not, of course,

believe in the mortality of words
nor in the finiteness of verses
and so I say, these are all the same:

the poet in his manner of skewed
seeing of the world, the witty rebel
in his skewed seeing of the word,

the prophet in his skewed seeing
of the world worded. And so I tell him,
this reluctant poet who does not trust

paradoxes nor the back gray of light
in darkness: they are all the same,
these, the meanings playing a pun

on language, seeing how the eye
sees itself with all these ruses,
one tricky phrase at a time

until the whole thing becomes
a stanza of our grief. Poets are lonely
people, I offer, saying this to him

to console even as I say the same thing
to myself. But they are most happy,
too, in their loneliness. We walk

another round in one inner circle
of our courage or creative rage
or whatever that you call

these feelings we have against
all that oppresses like verses
unable to identify themselves

if they are stanzas of pretense.
It is night, it is the Wednesday
with no sense, the flood lights

bathing our evening steps
to make the first move
and another first move

to think about what we want
whether to write a first poem
or resist writing one while all along

we have known the poetry of injustice
in this land where we have our
dreams deferred, dispersed.


A Solver Agcaoili
Manoa/Oct 28, 2009


A Poem of Sin at SM Marikina Starbucks

Today is another  
afternoon 
of my return after 
a long while.

The homeland is hot, 
blazing hot.

The weather is hell 
as in the heck
of our everyday 
stranger's life. 

The hot pandesal
at Pugon de Marikina 
is the size of roaches
shrinking to bite size, 
the price of wheat bread
no longer good 
for the exiled palate.

Now, I know this
even if in the emails
I read before flying back
I have been forewarned
of hunger in front 
of abundant Starbucks, 
with its swift and quick
offer of the good life,
cafe Americano
and the arabica of 
hallucinatory life
we live to the hilt
to anounce what drinks
are for the nation's gods
what drinks are that cost
the daily wage 
of those leading a life
that goes into Starbucks
to say hi to those pretending
to write poems but cannot figure
out what this free verse
of our miserable life 
is all about, this life
that has its prose
like metaphors of coffee
served via bottoms up.

This recession is killing me
kills my facile claim to poetry
and I need to kill back
to come alive from this heap
of murderous cups of coffee
tea or capitalist lies.

So there is no way 
to get even, I realize,
with these terrors of a return
except to keep running away 
from the couldron of a country
of our pains, pesos on recession
and faith in foreign food going wild.

So we run to where 
the air conditioned air is
this running dictating 
how much dwindling dinero
we need to survive
our rat's lives 
how much quivering cash 
we can dole out
to whoever is the capitalist 
that preys upon our not-so-sweet
of non-innocence 
a city we have lived
a city that has robbed us
of our decency has defined.
 
It is at the SM Starbucks
that this first sin comes alive:

brewed coffee tall and tangential
the cost of a day's work
for these young men and women
whose sin is they have names
as so far away from the city
far away from the palace
far away from where they make laws
far away from it all like mine. 

I get a glimpse 
of how is it to live
one pandering, 
pauperizing life.

For once, I am courage:
I make finalmente 
some Starbucks choices 
between a grande of sorrow
or a tall glass of bitter Marikina lives.

Brown Starbucks sugar 
or a choice of sugared honey 
to make me forget instantly  
that in the land yonder you flew out
we sell our soul to the highest bidder
even as our hopes for a better life
nosedives with 
our hope for an afterlife
with or without Starbucks.

Tall, sir, or grande 
or what lies, sir?

This American English-speaking 
crew of a college girl calls out
to my drunken desire. 

I have the laptop for security 
to keep me company while alone
to make me kill the hot hours
to wean me away 
from committing the first act
to a  suicide with all the notes
from committing to a promise 
for a profit-driven 
crack at a cosmic
charade of sliced cakes
for a queen whose devotion
to justice is for the democracy
of Starbucks coffee 
and our commercialized 
chatter of a malling mind.

The college girl of a crew
asks in afterthought:  
latte, with the fancy ice cream
with its fancy offer of a refreshing 
chill that lasts forever
after you have thrashed your first cup 
your hundreds gone to the waste bag?

I have no clue, 
I say. 
In Honolulu,
I run away from all
these hacks of Starbucks life.
In the cold mountain mornings
of my solitary exile's life,
I drink marunggay
soup with the vow
of a celibate cup
and saucer
and a plate that sing
with zing of fulflled loves.

I scan the smiles 
of middle class
men and women 
absorbed in the absences
of their strange loves, 
their fragile fingers 
on keyboards of mute laptops
with all the gesticulations
of grace and grandstanding menu
of upper middle class brew
of our sundered national class.

Here are the clues:
the poor like me 
ask what you like
the rich like them 
saunter in their long roads
to fulfill their elite desires
going extra wild.

Just add 15 pesos, sir, 
and you have it all, sir,
you will drink 
your green tea
with all its antioxidants
and all the glories of a wi-fi'd mind.
Delight, sir, delight
is what you get
in this ambient corner
of our Starbucks 
that gives you the fantasy
of a real love.

I say, bring 'em on.
I say, let me sin.
I say, let me be bourgeois
for this afternoon, just for once.

I think of the heat on my chest.

I think of the small war 
I have waged, have to let go.

I think of this poem 
I am going to write
its title in honor 
of the men and women
who pamper me 
with their coffee lies:

Starbucks for the rich
Starbucks for the moneyed
Starbucks for the sophisticated
Starbucks for the yuppie
Starbucks for the alternative 
to a city life. 

And so I let go.

I nod to let her 
ring the register
with my pesos gone, 
this currency
of our faked lives.

Some chocolate, 
in-house, sir,
dark, sir, 
creamy and 100 percent, 
its beans
from Aceh to save the lives
of Sumatrans.

I think of Aceh 
I think of Benguet
I think of Kalinga and Apayao
their beans that 
of my morning brew
that leads me out 
of Manila dreamland.

Two hundred sixty five pesos
is your bill, sir, 
and please, please
pay with your life. 

Let your soul, sir,
be intact, sir, 
so you can come, sir,
again and again, sir, 
so we can trick you, sir,
into believing, sir, 
that our lies, sir, 
are your truth, sir,
and your truth, sir, 
is also ours, sir.

I bring out the crisp bill
long hidden in the recesses 
of the Seiko wallet with all the luck
I bought for a lifetime of self-reward.

Luck has it that I have kept
the snake skin after
centuries of seeing the capitalists
come to life, resurrect forever
to haunt us alive.

A Solver Agcaoili
May 21/09/SM Marikina


 

Bullets for a husband and daughter



I miss both of them so much. My heart bleeds in pain. My sorrow is deep. Their loss is too much too bear. I am alone.
Lilian de Vera, on the death of her husband Jun and young daughter, Lia, in the hands of policemen. From an email that is going around, April 12, 2009, Easter Sunday


Dear Lilian de Vera:
Jun de Vera's name is about truth.
Vera is a last name that completes
the sentences we utter to word our lack
the vacuities we keep deep in our heart. 

It is also Lia's, your darling daughter
of sweet lingering laughter 
and of joyful promises of care
when your hair is white
and you knees can no longer carry
the weight of your years.
The Vera name remains those 
of her father and his daughter
the two the recent reminders
of  what justice is in our land,
their bodies riddled with bullets 
blinded in the heat of the tropical homeland
and so like our callused selves do not see
at a time, in a December like this one,
is a season of sad extremes
when all you can have is to beg for mercy
shout amidst the maniacal zing of guns
shot to please stop the murder of our dreams.

You both could have been blessed, you say,
Lilian, say it in your silence even 
as you stand by, your word lost in the world
as you embrace their cold bodies 
riddled with this puzzle of untimely death
even as you speak with them in the silence
of that unspeakable grief only women know
women who are wives and mothers
women who are offerers of stories that heal
our land, this bloodied land 
that gives us all these ultimate horrors
we cannot define, not now, in these months
that we hear of the advent of song and mystery.

We say to your husband:
Your wife was there in the Church of Nazarene
the black man-god, miraculous as he is
staring at all the tired faces 
staring at your wife's vow to keep coming
in his wake, tend to your death
touch your sorrowing countenance
she cannot reach 
and kiss your marble of black feet
some have kissed a thousand times
before her turn to stand up 
from bended knees. 

What was it that came into 
that belief, hers, and the need for prayers
and that begging for grace
just one more grace?

The report says of the complicity
of lying killers whose deeds are familiar
they could be our country's daily stories.

It was them, the police people
whose jobs we keep
whose lives we sustain
whose protecting hands we protect
so they can keep going with their business
of assuring us of our capacities to forgive
our desire to forget
but not these twin murders!

How could we forget except
to be rattled, pissed, come to griefs
when while you prayed, Lilian,
they preyed upon the innocent body
of Lia your daughter in her young years
her laughter your mother's grace, 
your sweet, sweet grace?

How could we forget except to 
fight back, fight this impunity we call
a jungle's law or its lack in the hands
of uniformed killers, them to whom we entrust
the outlines of our first joys 
the temporary sketches of our dreams
the structure of our colorful happiness?

No, you have got the opposite:
the ping of bullets whizzing by
and felling Jun to the bloodied ground
and felling Lia to his pierced body
their breath coming together
in that last rite of communion, one hand
on her face, his other hand on her lips
ssshh-ing her, telling her heaven
is just near, the heaven they will go to
the heaven you will be absent
you, Lilia of our nightmares,
in a long, long time yet
not when this fight has just begun
not when this call for vigilance
against those who protect us
is one call we have to do at last.

You say you will learn to live
without them: please do.

Your knees know the shape 
of fears and tears and faith,
your body knows what goodness
is even as your mourning
is what will keep you awake.

We send you our prayers:
the wind knows where to go
the spirit of the sun will reach
you so that with the warm
of the sun and the breeze
you will see Jun and Lia a hundredfold
in the victory you will behold.

Go with the sun, then,
go with the blessing of the crescent
moon and under its light
call out to Jun and Lia
and tell them to go the way of angels
of the light, the one final light. 

A Solver Agcaoili
Hon, HI/Apr 13/09
   


  
 

The Dream of An Angel

A young girl portrays an angel lifting the black cloth covering a statue of the Virgin Mary during the traditional “Salubong” of the resurrected Jesus Christ on Easter Sunday in Barangay Pulang Lupa 1, C5 Extension, Las Piñas City. N. J. Orbeta, Inquirer, Apr 12/09

I am an angel for 
this Sunday of an Easter
and I am dressed 
in the oft-white of ritual.
I am not sure if I knew
what I am doing, 
little girl angel
that I am. 

I speak of my act ten-twenty-thirty
years from now 
when I shall have more
mind to offer, 
not this reluctance
of my right hand 
as I hang in ropes
tied to my young girl's body.

It is this ceremony of the centuries
of denial, colonized or inculcated
in the head by prayers heard
or imagined, like hell.

This is the one I have been told to do:
remove the veil of the mother
that sorrows so. 

The week past was misery
in a different crescendo, with the poor
gathering their strength to come to Cutud
and there watch the fallen Christ fall
once again in the man who had promised
to be nailed a hundredfold. 

And now this, and now this:
I lift the holy veil, silky black and blue, 
of the mother that suffers so
she with her agony as agony can be
watching her god-man of a son 
go through it all, 
this sin and this sinning
this show of a gallery 
wanting his blood in gallons
like oil from Baghdad
and raging breath from the cells
of Guantanamo
and then his body, bruised,
battered, left for dead
but will soon rise again
as it is today when I wipe
her tears finally, wipe them 
with my young girl's fingers.
 
I do not know, I really don't
as I live in a country run by patriarchs
and their wives and dark memory
eager to await for Lent with their song
that speaks of evil in other places
but not in this country
when all I see are beggars
hands outstretched for a morsel
of bread and being
mendicants asking for mercy
pedestrians walking endlessly
to altars without cold saints
and miraculous waters
but blood and more of them
blood oozing out the streets
blood in our hands clasped in adoration
blood in our senators' chambers
blood in the house of thieves
them men and women who should know
where human justice begins
so that god's pity ends.

I lift her mourning mother's veil
and in the years ahead
I will remember that today,
this 12th of April
in the year of the Lord
in this common era of our grief
our world's will to live
is will unto itself
like prayers to all mothers
that grieve, like incantation
to the god-man that rises
from the loneliness of his grave.

A Solver Agcaoili
Hon, HI/Apr 12/09